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Kwan Leung LING



 

Kwan Leung LING 凌君亮 is a Hong Kong–born composer, performer, and educator whose work bridges traditional Chinese music, contemporary composition, electronics, improvisation, and interdisciplinary collaboration. His primary instrument is the suona, a traditional Chinese double-reed instrument that he began studying at the age of ten. Shaped by his Hong Kong upbringing, Ling’s music reflects cultural intersections, sonic diversity, and the relationships between sound, memory, identity, nature, and place.

Daily observations of lived experience are central to Ling’s compositional process, often transformed into evocative sonic imagery rather than direct narration. Rooted in Chinese musical traditions, where natural sound and poetic imagery shape expression, his work is also informed by Liu Bai (留白), an aesthetic principle that values emptiness, silence, and unoccupied space. Through found objects, field recordings, and everyday sonic materials, Ling creates textures and environments where sound and silence exist in dynamic balance.

Ling’s compositions have been performed by the Hong Kong Chinese Orchestra, Macao Chinese Orchestra, Kansas City Sinfonietta, Windpipe Chinese Music Ensemble, SPLICE Ensemble, newEar Contemporary Chamber Ensemble, Trio Mythos, Duo Entre-Nous, and the UMKC Graduate Fellowship String Quartet. His recent works include Bamboo Reverie for the Macao Chinese Orchestra project Chinese Music 360°: Sonic Corners of Chinese Music and Lantern Lights, premiered by the Hong Kong Chinese Orchestra. As a performer, he has appeared as a suona, guanzi, bili, and clarinet player, including as a bili and suona soloist with the Hong Kong Philharmonic Orchestra in a work composed and conducted by Tan Dun.

Ling’s interdisciplinary work includes the documentary film 24, screened at seventeen international film festivals, and Song · Sound · Stitch, a fashion performance project presented at CENTRESTAGE Hong Kong. He holds a DMA and MM in Composition from the University of Missouri–Kansas City Conservatory and a BFA in Composition from California Institute of the Arts.

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© 2026 by Kwan Leung LING

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